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Lenù is blonde, studious, eager to please, self-doubting and ambitious, whereas Lila is dark, naturally brilliant, mercurial, mean and irresistible to those around her.
Those Who Leave and Those Who Stay Quotes - Goodreads Those Who Leave and Those Who Stay Quotes - Goodreads
She, irritated by the contact, pulled her arm away, protesting: “And how do you work, the two of you, how do you work? Ferrante’s lucid rendering of Lila’s and Elena’s entwined yet discrete lives illustrates both that the personal is political.The era, with its dramatic changes in sexual politics and social costumes, with its seemingly limitless number of new possibilities, is rendered with breathtaking vigour. Part of what we love about the books is that they are about people—particularly the critic Lenù—coming to understandings of the world that they can’t put up for evaluation.
Those Who Leave and Those Who Stay: middle age (Neapolitan Those Who Leave and Those Who Stay: middle age (Neapolitan
Since the publication of My Brilliant Friend, the first of the Neapolitan novels, Elena Ferrante’s fame as one of our most compelling, insightful, and stylish contemporary authors has grown enormously. Only to discover, in the decades to come, that I had been wrong, that it was a chain with larger and larger links: the neighborhood was connected to the city, the city to Italy, Italy to Europe, Europe to the whole planet.
Through her characters’ travels and travails, it could be said, Ferrante sings of arms and the woman. Roger Cohen wrote for the New York Review of Books: "The interacting qualities of the two women are central to the quartet, which is at once introspective and sweeping, personal and political, covering the more than six decades of the two women's lives and the way those lives intersect with Italy's upheavals, from the revolutionary violence of the leftist Red Brigades to radical feminism.
Those Who Leave and Those Who Stay - TV My Brilliant Friend: Those Who Leave and Those Who Stay - TV
Often presented as the main topic of the series, the theme of female friendship appears also in the third volume, in spite of it being the one where the two main characters spend the most time apart. Its page views and audience reach showed that it resonated, and that it resonated partly because it did something so entirely different from the many argumentative claims cultural critics jumped to articulate in the week after the explosive unveiling of Ferrante’s identity. When Lila stands in that apartment in her old neighbourhood, I felt that for the first time in quite some time, there was a bit of hope in her eyesthat there was still something bright she could build out of the ashes life had given her.Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack.
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